The deadly Bane Rose, a pre-generated magic plant for Dice & Glory. It adds a different type of monstrous danger to a campaign. This large rose-like bush is envenomed with a nasty magic toxin but produces a beautiful red-orange and gold rose. The plant also shelters swarms of scorpions, spiders, and vipers that protect it. The plant itself may not be that physically formidable but it has its tricks. Its venom, magic, and dangerous swarms combine to make it a deadly challenge. Likewise, its magical properties may intrigue the adventurous mage.
Brilliant Botanics can be used at the discretion of Game-Masters to add variety to their game worlds easily and quickly. This “rosebush” is fleshed out enough for GM’s to drop it into game-sessions with little prep-work beyond reading the document. Finally, the Bane Rose and its fruit are a great addition to any GM’s bag of tricks & treasure. Well, a treasure for those with an alchemical edge and a desire for spell components.
Brilliant Botanics also includes a brief Magic Abstract. This describes how mages may use these supernal vegetables in their spells and potions as components.
24th of Monsoon – The dawn was just a pink-gold band starting on the horizon and the great purple moon was fading into existence via the growing light yet the three mages had already risen. Soon the auction for Thorn’s coin would start and their opposition might be the blue dragon in disguise. As a result, the mages prepared for battle tossing on potion bandoliers and carefully selecting magic items and wands from their personal armories. Very soon, they were out on the streets with an energetic gait towards the southernmost part of the West Cliffs District and the White Prong Tavern.
The wet cobblestone streets were empty and the cool, moist scent of the city, not entirely unpleasant, a combination of the wet stone and the brackish run-off congealed with the smell of all the city’s kitchens and bakeries merged with the spicy desert scents of the headland as it drifted lazily away over the sea. The only traffic at this early hour was the scant presence of the rag pickers, muckrakers, and street-sweepers finishing their labors. Just as the golden light of dawn began to bathe the gleaming streets, the trio of mages arrived at the White Prong.
They entered the whitewashed establishment finding its many round tables and chairs empty save for in one corner. Those tables crowded with buccaneers. One was casually flipping a coin, slapping it to the table, and staring as they entered. Sitting at a table near the counter was the beggar Thorn, sipping a steaming cup of tea. Sitting up from the three tables worth of pirates was their leader, a young woman the mages had pegged for the blue dragon.
She was a dark-skinned beauty, darkened not just from the scouring by the sun at sea but by a detectable Creschan descent, her black hair was thick and hung heavily to her muscle rounded shoulders. She was wearing a suit of sleeveless brigandine armor with the chest buckled open exposing the black eagle tattoo covering her bared chest. A high-quality silver saber hung at her side its pale sapphire pommel stone glittered like a serpent’s eye. A silk blue sash girded her thighs with a knotted gold fringe that dangled over her loose fitting pantaloons and knee-high sealskin boots.
Her second mate also stood abandoning a hot cup of mead. He was a tall baldheaded Ezmerian with an eye patch over his right eye. At his hip dangled a heavy cutlass. His costume was much the same as his presumed captain. In addition, there were six other crewmembers at the tables wearing open-breasted black leather jerkins.
Isis (Szoo’s player): “Y’know I don’t think she’s the dragon.”
Cris (Excor’s player): “Well I already figured that!”
Jenn (Fauna’s player): “Oh yeah, I guess not.”
As the mages stood and stared at the pirate crew and the pirates glared back in perfect silence, the tension in the room might have been plucked like the string of a lyre. The woman’s deep green eyes narrowed on the three mages shooting daggers in their direction.
Thorn (abruptly breaking the awkward silence): “Okay! Everyone’s here! Let’s begin the bidding on me services shall we! Heh-heh. My coin will not be cheap!”
Cris (shaking his head in disbelief): “That b@st@rd Thorn.”
After a brief but intense bidding war and a full breakfast the trio of mages found themselves outside of the White Prong as the breakfast regulars began to filter in. They had won the beggar’s coin and already sent Thorn on his way with a mission to find more information on the blue dragon otherwise known as the “Ocean of the Desert”. The buccaneers had left in a huff just moments after losing the bid-war.
The mages decided to head home after all they had a cabal meeting come evening. So they walked for some time making their way onto Arena Circle headed into the Shop District going north towards the Tourney Grounds. The streets now teemed with people and the group’s progress became more difficult as they walked around knots of folk and had to wait for the occasional carriage, horse, or ox-wagon.
After a while, Szoo turned to his two companions and insisted that two of the Black Eagle pirates were following them. Fauna and Excor simply did not believe him thinking he was a victim of his own paranoia. Partly to ease his own nerves as well as throw it in the faces of his companions, Szoo angrily slithered over to the two sailors. They were leaning against a wall acting as if they were just nonchalantly smoking their ivory pipes. The pair just turned and started walking away all the while keeping their eyes on the group of mages in a not so subtle manner.
This finally bringing Excor’s and Fauna’s attentions to the matter. Because of this minor confrontation the group picked up their pace and in an attempt to be clever they ducked into an alley. However, the path was much longer and circuitous than they had anticipated yet they tried to keep up a rapid pace. They had been moving along the narrow alley for some time with little hope of seeing an exit into the streets anytime soon when Excor stopped the other two.
Szoosha cast Elemental Half-Plate Armor (Fire) on himself. Fauna tried to duck behind a rain barrel and hide. But she only succeeded in knocking it over and drawing attention to herself. Moreover, the second-mate, the one with the eye-patch, drew his heavy cutlass, which now the mages could observe had a serrated blade. Then Excor activated his Jet Amulet of Shielding. Three of the foremost crewmembers drew their cutlasses. Lastly, the pirate leader drew her silver saber, which shone with a strange, ghostly light in the dimness of the alleyway.
Isis: “Oh great! A magic sword!”
Pirate Leader: “You all wouldn’t happen to know a mage named ‘Jirek’ would ya?”
Excor (putting on the air of a prototypical tough guy): “Never heard of the guy! Who the hell are YOU!?”
Pirate Leader: “Direnda, newly captain of the Black Flyer, the three-masted Vhalica in the harbor. Weeks back we were attacked by pirates bearing the image of a Grey Serpent. They have some of our client’s property and we were told that one-named Jirek is their main man in Ezmeria. We’ve also heard he’s a member of some cabal of mages.”
At the mere mention of Jirek, Szoo freaked out. Immediately he slithered away in the opposite direction of the pirates at full speed.
Cris: *Sigh* “Dammit Szoo. How am I supposed to bluff her now?”
Excor: “We have no quarrel with you, there’s lots of mages in this city!”
Consequently, Direnda stood like a stone pillar studying the wand-wielding mage through narrowed lids for several minutes. Finally, she relented and her crew followed suit. Without a single word or an apology, the sailors turned and returned from where they came from. Fauna and Excor let out a pair of loud sighs.
Excor: “Now where did Szoo go!”
A little while later, regrouped the three mages emerged from the end of the long alley onto the street. They were just in time to observe a large Ferenoi holding a dirty street urchin by his scrawny neck. Her grey cape billowing as she seemed intent on strangling the kid. All the while he held a coin purse in a death grip. Subsequently, the three mages could see the big white lightning bolt embroidered on it. Around her neck dangled a crystal-encrusted silver lightning bolt pendant. She wore a suit of black soft leather armor with a grey serpent coiling sown to the chest. These in addition to polished bronze bracers and greaves as well as a polished steel open helm with a red horsetail tassel attached to the peak.
Fauna: “Hey you! Leave that child ALONE!”
Consequently (Natural 1 reaction check), the tall amazon dropped the ragamuffin in a filthy puddle, turned to face the druidess, and pulled her falcata from its sheath. Fauna readied for a fight.
Szoo slunk to a fair distance to keep a lookout for any city guards. Excor cast Slow on the Ferenoi. However, the amazon grabbed her pendant and seemed to pray, instantly Excor’s spell was undone. Fauna cast Wizard’s Trick instantly turning the amazon into a snail.
The crowd that had begun to gather to watch the street fight began booing. They also began calling for the guards, “there’s rogue wizards!” Fauna picked up and chucked the snail before looking for the boy. The kid was long gone. Therefore, the trio too decided to run away.
Eventually, after ducking through a few different alleys, the three mages arrived home. The carpenters were measuring and sawing planks of wood out front. The head journeyman thumbed at the broken door setting against the outside wall next to the front entryway. “That’ll be 1 copper coin more for the door”. Excor tossed him the coin. The carpenter began to test the metal with his teeth when a large burp came from the stables causing him to jump out of his skin. The horse whinnied in his stall.
Excor (dismissively): “Don’t worry it’s just the druid’s giant frog.”
Jenn: “Oh yeah, I almost forgot all about him. I wonder if I can ride him around? Oh yeah, I also forgot about that horse.”
The GM (me): “Wait. You have been feeding them I hope.”
Isis: “Oh yeah, my guy and Fauna have an understanding, I feed her animals when she forgets or is gone.”
Later come evening, the trio was leaving to go to the Red Helm Tavern for their customary cabal meeting. Thorn appeared in the alleyway leading out into the street. He reported on the location of the “Ocean of the Desert” to the mages giving Excor the address. In return, Excor flipped him back his coin.
Thorn (as he walks away): “If ya ever need my services again, jes’ mention my name to any beggar on the street and I’ll hear ye!”
Water came rushing at least six inches deep across the floor planks. Szoo (played by Isis) rushed up a slanted plank meant to substitute for the cellar steps into the main room just in time to see the barbarian in blue waving his massive tulwar as he roared charging Excor (played by Cris).
Jenn (Fauna’s Player; to the GM): “Wait! Wait. Didn’t I take that from him when he dropped it?”
Me (the GM): “Yes you did. But when Fauna looks for the sword, it’s not where she left it.”
The broad blade of the barbarian’s sword whooshed past Excor’s face. Excor took a 5-foot step back, drew his sword, and cast Mage Armor to protect himself. A human shaman with scaly skin moved in through the shattered doorframe bearing a polished black quarterstaff in quilted blue robes. He also wore a horned helmet on his head. Immediately he pointed his finger at Excor and a Lightning Bolt exploded on Excor’s mage armor. Following him was a mage in the same quilted blue robes but with a flowing blue-silk cape around his narrow shoulders. On his left hand, he wore a copper ring and on his right, a gold-ring with an inset ruby. Two more humans in blue came in behind the mage. These were twins, each armed with a high-quality silver cutlass. Fauna opened her bedroom door and the bleariness in her eyes instantly burned away.
Szoo began to slither onto the floor of the main room. The heavily muscled barbarian wheeled towards Fauna as he was within arm’s reach of her and slashed at her. Fortunately, the blade bounced from her automatic shield. Excor unleashed a Cone of Fire singeing the shaman, twins, and barbarian but burning the mage was badly. The shaman’s throat suddenly swelled to the size of a grapefruit and he spat a bolt of electricity at Excor blasting away some of his mage armor. The blue mage touched his gold ring encasing himself in mage armor. The twins continued to move into the room soon able to join the fight. Fauna tried to cast Wizard’s Trick on the barbarian but the spell fizzled.
Szoo finally got into a position to join the fray. Excor cast Shadow Ribbons on the barbarian but he easily overpowered the black tentacles of the spell. The barbarian swung at Fauna again but hit another shield. The dragon-shaman tried to cast a spell but it failed and only sparks flew in his face. The first twin cast a spell and a scintillating ray from his finger shot at Excor chipping away at his mage armor. The other twin was maneuvering closer trying to come at Excor form the opposite vector from his brother. Fauna successfully cast Wizard’s Trick but the magic went wild and after a multi-colored burst of light, the barbarian was squatting on the ground, hopping here and there with a rabbit’s head on his wide muscly shoulders.
Fauna moved out of her room’s doorframe into the main room. Szoo moved to meet the advancing front of blue-clad invaders pointing his finger at the first twin. A Ray of Fire blasted a big black scorch mark onto his robes. The dragon-shaman shot a ray at Excor blasting away his mage armor. The blue mage pulled an onyx necklace from under the collar of his robes. Suddenly he popped from where he was to 10 ft. from the left of Excor. The first twin moved towards Fauna, she still just out of reach of his cutlass. The second twin slashed at Excor who parried causing their blades to clinch. Excor dropped his weapon and risked a spell in close quarters. The risk paid off. The second twin’s blade froze inches from his throat as the Paralyze II spell took effect just in time. The rabbit-headed barbarian continued hopping around.
Fauna cast Wizard’s Trick again, this time on the first twin turning him into a rabbit. Szoosha shot a Ray of Fire at the dragon-shaman wounding him. The dragon-shaman responded with a shock ray wounding Szoo badly after the naga failed to dodge. The blue mage waved his hands and water formed from the air encasing the naga in a floating bubble of water. The swirling waters caused his Elemental Half-Plate to boil away and disappear. Excor went to the rabbit-headed barbarian, lifted the collar off, and tossed it to the side.
In turn, Fauna stooped and lifted the silver slave collar from the rabbit that had been the first twin. The dragon-shaman spat more electricity at Fauna exhausting her magic shields. Excor stepped back from the direction of the blue mage and activated his jade amulet of shielding. Szoo was drowning.
The dragon-shaman moved towards the blasted front entrance shouting at the blue mage directing him to, “run we’ve got to retreat!” Fauna quickened another Wizard’s Trick aimed at the dragon-shaman but he easily resisted. Alternately, Excor quickened Shadow Ribbons at the same target but found it too difficult to cast.
The dragon-shaman steeled himself at the threshold. Fauna sent a rush of wind at him but he dodged out the door. Szoo concentrated harder than he had ever before in his life and his flesh became fire, the bubble of water exploded into a rush of steam. The blue mage once again grabbed his polished obsidian necklace and suddenly appeared near the threshold ready to flee. Excor cast Shadow Ribbons on the blue mage but the spell turned on him. Before he could act, he was entangled in his own spell. Fauna readied to cast Wizard’s Trick on the blue mage when she noticed he was glancing from a silver collar on the floor back to her and mouthing the words “do it”. Therefore, she obliged him. After Excor dismissed the shadow tentacles, the trio ran out of the front entrance and into the alleyway but the dragon-shaman was gone.
The group discussed quickly what to do. They had figured since the collars came off with ease after the dragon’s slaves were transformed into rabbits. Fauna, remembering the signal from the blue mage, convinced the other two to let her release the magic. After all, they could use some allies against the dragon. A few moments later, all four of the blue gang members were themselves sans the silver collars.
The former slaves were overjoyed at their newly realized freedom. Apparently, the collars prevented all disobedience to the dragon and her lieutenants. They were all adventurers; the twins were native Ezmerians, captured just south of the coast off the Pale Highlands by naga slavers who sold them to a vessel of the Golden Devil Company. They were purchased a handful of years ago by the dragon here at the slave markets. She calls herself the “Ocean of the Desert” and rules a small kingdom and fortress at the base of the Snaketeeth Mountains across the river and beyond the Wirgold Forest. Meanwhile, the mages took the time to inspect the collars. Excor could not directly identify the powers of the collars but all could clearly see the maker’s mark on all of the collars was the sign of the Golden Devil Company.
Excor: “Damn slavers working with the dragon.”
Fauna: “Really!? Why would they work with a dragon?”
Excor (shrugging): “Pfft, they’re all evil!”
Excor (to the barbarian): “Hey! Where is she staying?”
The Barbarian: “A fine house in the Western Cliffs District. She kept us in the basement.”
The Blue Mage: “There’s also a cave underneath that leads to some sea caves under the city. She acts as royalty, she’s a real admirer of Hyval. And beware the dragon shaman, he worships her. He draws his power from the spirit of a blue dragon. He doesn’t wear a collar.”
Unexpectedly there was a flash of blinding white light. After it faded, all could see the collars were returned to every one of their unfortunate necks. All four collapsed to their knees and cried in anguish.
Isis: “Aw, this isn’t going to be easy is it?”
Cris: “Of course not! It’s gonna be hard because it has to be! Of course it’s gonna be hard!”
Excor: *sigh* “Okay, I have a solution, for now.”
The Barbarian (through gritted teeth): “Hurry! We cannot resist the collars for long!”
The cabal mages pledged to the slaves to kill the blue dragon. Around the table, the players then mulled over their options even, at Szoo’s suggestion, considering killing them all. After checking their own characters’ alignments, the players made a decision. A short while later there were four new pillars of amber in the rear courtyard alongside the one containing the blue thief (see The Cabal of Eight II Pt.10: The Blue Thief). After the dragon was dead, they would free them including the thief.
They set the front door to the side and generally cleaned up the best they could. The group had decided to go to the White Prong come dawn not to purchase Thorn’s coin but to meet the dragon whom they believe to be Thorn’s employer. Fauna went to formulate four healing potions. Szoo slathered himself with healing salve and went to rest; the naga was in especially bad shape after absorbing some much of the dragon-shaman’s Shock Ray. Once the house was straightened up and Fauna had finished brewing her potions, the three mages went to their respective rooms to rest and heal.
Morning, 23rd of Monsoon – Fauna (played by Jenn) stumbled into the house from the street looking even more haggard than usual. Wordlessly she felt her way along the walls to her room and shut the door softly behind her. Szoosha (played by Isis) who just finished feeding Fauna’s animals had noticed the polished stones around the druid’s neck glistening in the strong early light. Mesmerized by the sparkle the black scale naga stared at them, his serpent-eyes tracking them until Fauna was behind her bedroom door. Excor (played by Cris) was reclining in quiet contemplation.
Szoo: “Oooh, shiny! I like shiny things!”
Cris (studying his character sheet and mumbling under his breath): “Hmm, huh, mmmr, okay, no, what, pffp, er, okay, alright. That’s it, that’s what I need.” Cris flipped his well-worn character sheet on the table in front of him.
Excor (giving the naga the c’mon hand signal): “I’m going to the bazaar to pick up some supplies, we better go together.”
They left the house headed towards the bazaar. The sky was a dull even gray and the air was heavy and moist and smelled strongly of brine. Taking a sudden detour they decided to stop at the Carpenters’ Union to hire some carpenters to repair the floor and trapdoor into the root cellar. Excor hired a local carpenter that served their row. He would send an apprentice for 1 copper to assess the job. A short while later, they arrived at the bustling indoor bazaar where Excor was looking for three one-gallon jugs (5 sp ea.), one copper funnel (2 sp), and a jar of glue paste for 1 silver piece. Szoo purchased 5 glass potion bottles at 1 gp each.
After finding what he needed, and stuffing the items in his bag of holding, Excor left for Wensaer’s Alchemy Shop (The Cabal of Eight Pt.7: A Red Rat), Szoo followed. At Wensaer’s however, Szoo purchased two bottles of Alchemist’s Fire at 100 gold pieces each. As the pair left, Wensaer inquired after Gornix, the old man seemed worried. The others simply said they had not seen him in a while now. The old wizard twirled a pinch of his white beard between his fingers.
Later, the pair of adventuring mages browsed Baba’s Apothecary, the air spiced with a pleasant mélange of exotic flavors and tobacco. Excor picked up 4 ounces of the mid-grade smoking herb mix and 1-ounce of Lotus Wort for 4 silver pieces. Lotus Wort is a hairy moss harvested from along the Serpent Coast that can reduce the duration of the effects of lotus pollen and in the case of the Black Lotus, change the death-effect to sleep if consumed before. Baba was not much for conversation but she was fretting about the next shipment of lotus and deep forest medical herbs, it was late. They left the shop, Excor packing his pipe with fresh herbs, and turned out onto the crowded street.
The pair of adventuring mages was walking at a leisurely pace finally on their way home. Unexpectedly, Thorn the beggar tripped directly into their path from behind a rain barrel. Szoosha jumped behind Excor and wondered aloud if they should do something, after all, it was obvious that he was following them. Excor, however, took this opportunity to engage him in conversation.
Excor (instantly putting on a false air of friendly joy): “Ah! My friend Thorn! So glad to see you!”
Thorn (a little leery): “Uh, yeah. Hey, uh you got any o’ those herbs to spare?” He pulled out a charred corncob pipe.
Excor (tossing his smoke pouch to him): “Of course my friend. Here. You, uh, wouldn’t happen to have any info for me would you? Anyone we should know about maybe following us around?”
Thorn: “Hehe, naw there’s nobody like that!” He tossed the bag back to Excor, lit, and then took a tug on his old pipe.
Excor: “So, what is your price anyway? We can beat whoever’s employing you right now.”
Thorn (suddenly stepping back and putting his hands up): “Whoa there! Whoa there. The guild would my head, there’s rules, ironclad, cannot be broken.”
Excor: “Well, we are interested in getting some eyes and ears on the streets if ya know what I mean!”
Thorn: “Well, my coin is up fer the bidding. She holds my coin currently but if ya outbid h…my employer tomorrow at dawn in the White Prong. I’m all yers!”
Isis (gasping): “Oh no! She’s got him too!”
Excor: “Well, my friend we need to be on our way. How about we walk and talk.”
Thorn (between puffs): “Okay.”
Cris: “He slipped up. The probably has his coin. Well, we know where she’s going to be at dawn.”
Isis: “Alright, we’re gonna fight a DRAGON!”
Cris: “We need to prepare! We can’t just fight her in the White Prong we’ll wind in guild court again!”
Isis: “Oh yeah, I forgot about that.”
Consequently, the pair of mages and Thorn the beggar were walking at a rapid pace in the direction of the alley through which Fauna’s rental sat. They were maybe two rows from their destination when without warning Thorn wheeled around.
Thorn (starting into a light jog): “Bye! Looks like I gotta go!”
Instantly, both Excor and Szoo spotted them. Walking directly towards them were 2 scrawny humans each wielding a high-quality silver cutlass followed by a large barbarian, probably Fuglotian by appearance, in a horned helmet with bronze bracers, a black leather war belt girding his waist and a very large superior quality Tulwar in his hands. To their left was another human, probably a mage of some type, with a quarter staff in his hands and bronze bracers on his wrists. All four were in quilted blue robes.
Szoo: “Crap! It’s them.”
So Excor swept up the Naga in his blue cape (The Cabal of Eight Pt.31: The Welfare of Rats) and teleported them both home into the center of the main room. Someone began pounding on the door. Excor approached cautiously telling Szoo to “get ready” before yanking the door wide open. A carpenter’s apprentice stood there a little surprised. He was here to take measurements and assess the damage. His work took little time, soon enough he presented Excor with a contract.
The price would be 1 gold piece and 5 silvers, Excor quickly signed it. In short, tomorrow the apprentice and two journeymen would arrive after breakfast. The young boy left as soon as he finished reading out the terms. Some time had passed since the pair of mages had spotted the dragon’s men, they were certain that the Blue Dragon Gang had not been able to track them back to the house.
Excor walked into the makeshift alchemy lab and began filling the jugs with the mead from his magical golden chalice (Cabal of Eight Pt.38: The Black Tombs Pt.2). Meanwhile, Szoo went down into the cellar and into the secret passage to bottle some naphtha. A very quiet hour passed then suddenly without warning with a thunderous rush of water the front door is blasted from its hinges.
The Boar-Wolf, a nasty wolf and wild boar conglomeration. A new pregenerated monster for Dice & Glory that has a wicked surprise on occasion. Especially a challenge when confronted as war-beasts these large beasts rip, gore, and trample all foes!
I’ve been experimenting with mixing various mundane animals together and adding some strange abilities. I did find an identical creature already created for a crappy television special decades ago. I had already had this as a concept so, I let that influence me a little. Though the creature is a simple brute with a few surprises should the GM see fit to make use of those.
Bizarre Beasties can be used at the discretion of Game-Masters to add variety to their game worlds easily and quickly. GM’s can drop the fully fleshed Boar-Wolf into game sessions immediately without any prep-work beyond reading the document. Finally, the Boar-Wolf is a great addition to any GM’s bestiary.
The paths and twisted walls of the labyrinth disappeared in all directions into a hazy blue-green horizon. Clouds of blue-green mists rolled over the impossible landscape and the fabric of reality itself seemed to seethe and roll, as do the deeps of the ocean. The dense, moist air was cool and made her head swim. It smelled overwhelmingly of fresh-cut greenery carrying the spice of moldering wood. The walls of the labyrinth also seemed to shift with the tide rearranging in the wake of each swell. She could see no center, no goal towards which to strive.
Again, she began drifting towards the black iron spikes atop the wall. Fauna (played by Jenn) canceled the power of her ring of levitation. She had snagged the ring from the group treasury, the hiding place in the clubroom back at the Red Helm Tavern. The druidess had made a quick stop there before heading out to the secret meeting in the secret caverns beneath the Old Amphitheater.
Her feet landed softly onto the cold stone. She found herself back in a narrow lane of the maze. The floor was of damp flagstones and the walls were a chaotic patchwork of adobe, fired bricks, natural stone, and mortar. From every crack, uneven surface, and fissure grew twisted woody branches, clumps, and patches of hairy and bright green mosses, as well as flows of yellow slime molds. The great flagstones were also uneven causing the floor of the lane to undulate up and down, so deep in places that one could hide in the dip easily from others approaching from either end of the seeming infinite lane.
Fauna exhaled and began moving forward turning with every corner into identical lanes, some short, some dead-ends, and some choked with woody vines and dead branches. Occasionally, she happened upon the corpse of a fellow competitor for head priest/priestess of the Brotherhood of the Rope. She turned a corner and saw a giant pale mushroom blocking the way with the terrified face of an initiate sinking and disappearing into it. She turned the corner.
Not long after that, she found a huge clump of limp black roots blocking her way lying across the way. The druid was going to climb over it until she saw a pale human arm hanging out of the clump banded by purple bruises as if squeezed by ropes or tentacles. She quickly changed direction. Along the way, she managed to avoid a tripwire, a trapdoor, and a spring-loaded scythe blade as she progressed. Eventually she came upon a high narrow red-lit opening in the wall that glowed yellow with firelight.
She slipped into the lit and comfortably warm chamber. The walls and low ceiling were of finely masoned but large blocks of stone that shone red-orange in the firelight that blazed from the two large golden braziers. Before her was a throne carved of the same stone as the wall blocks with an imprint of the reclining human form in the stone with a golden and jeweled crown where you would expect, over the crown of the human-shaped crevice.
She noticed a young girl with long black hair standing against one of the walls, another initiate. The girl had sneered at her in the lineup.
Jenn: “I hope that b***h dies.”
Jenn: “Well, she was mean to me!”
Stepping in front of the throne was yet another blue-robed petitioner, Fauna also recognized him from the lineup. Certainly, she and this pair seemed to be the only surviving pledges to have reached the center of the labyrinth. The man contemplated the throne, at its foot was a high step carved with druidic script. It said, “A good druid is humble.”
He strode over to the step bowed his head, said what sounded like a brief prayer and sat in the broad stone seat. Immediately the golden crown dropped to his shoulders around his neck, he screamed, then the seat and back of the throne opened like a trap door and his body and severed head dropped into an unseen sepulcher. Consequently, the stones swung back and the blood that covered it slowly faded and disappeared. Fauna grabbed her neck.
Jenn & Isis (in unison): “Oh boy!”
The young girl chewed her upper lip then stepped forward violently. Then she yelled at Fauna to “step back you heifer!” She strode forward full of class-born bravado. The girl stopped on the step of the throne suddenly aware she had no solution to this puzzle. She turned to Fauna and the expression on her face turned from terror into an arrogant reserve.
Young Girl (solemnly): “If I am fated to die then I am reserved to my fate.” She lowered herself lightly into the cold, hard seat. The crown slid down and she let out a “gack” at the same time as Fauna heard a mechanical spring sound. Blood burst from her mouth. Her severed head and the decapitated corpse fell into the depths beneath the throne. The spots and spatters of dark blood disappeared. The throne was solemn again and even more threatening.
Jenn: “Crap it’s my turn right?”
Isis (to Jenn): “Oh my gawd! You’re gonna die!”
Isis (to me): “Can’t we help her solve this riddle!?”
The GM (me): “Nope.”
Cris: “Naw we can’t help her! We’re not there! Sorry but we’re not there!”
Jenn: “Maybe I should just sit down on the throne.”
Isis & Cris (in unison): “NOOO!”
Finally, Fauna sat with her legs crossed, she contemplated the throne and the inscription at its foot. She took a small dose of Yellow Lotus powder from her robes and snorted it. Shockingly, she was able to maintain consciousness. What played repeatedly in her fevered brain afterwards were Anishi’s words just as he pushed her into the labyrinth’s aperture, “Tread with care my child and be humble”.
Fauna: “Ah-Ha! I got it!”
Immediately she walked over to the step before the throne and kneeled upon it as if in prayer. The stone gave the slightest bit and she could hear a click somewhere inside of the throne. She then rose and sat down in the seat. The gold crown dropped onto her head then she saw a section of wall to her right suddenly slide down and reveal a recognizable chamber in the cave beneath the amphitheater. The crown rose back from her head and she rose as if in a trance towards the exit.
In unison both Jenn and Isis let out a loud sigh.
The next thing Fauna could remember was that Anishi put a necklace of polished raw gems around her neck. After that, she only remembered slogging home through the streets and the hammering light of dawn in her normal dirty robes. She was starving and every muscle screamed along with her lotus-soaked brain. It felt as if she had been in that place for several days rather than a few hours. Her feet really hurt.
Jenn (a sudden realization shooting through her eyes at me): “Oh my gawd, I could have really died.”
Mapping is an integral part of Game-Mastering any roleplaying game. Maps are infinitely useful. They functionally visualize settlements (towns, fortresses), ships, or caves, ruins, and dungeons as well as over-maps of landscapes and countries. I also know it can be tough even to get started much less work through to a completed map.
Over a couple of decades of Game-Mastering, I have worked out a certain routine. A routine to follow when formulating and creating maps. Just to be sure of this, I took notes while I created the map for Manifold Maps #2. This routine can get my mind moving and the creative juices flowing even when caught at a standstill. Occasionally, however, I do still run into roadblocks.
Portions of the map I am not happy with or the inability to get a solid picture of what I am trying to do are common obstacles. I also sometimes just seem to run out of ideas somewhere near the beginning. I have learned to work through these dry spells. However, I never try to force it. Eventually, not counting for a possible time-crunch though, I can get going at it again. Although I can stall out for more than a day or two sometimes. Most map-making does involve some stops and starts.
Writing this piece was a personal exploration into my own creative process once I started to realize that I had a process and was working through steps to achieve a completed piece that I was ultimately satisfied with. I hope that others will in the very least find this interesting if not helpful in their own mapping endeavors. The first step in map-making is to have a symbol key at the ready.
Make the Master Key
It is important to have a clear and legible symbol key. This is in order to populate your maps with objects, features, and scenery not to mention encounters, treasures, and traps. A Map Key also sometimes referred to as a Legend is a listing of symbols with their meanings. It is needed to understand a map that uses its symbols. The key can be on the map itself often quartered off. However, often Games-masters(GMs) might want to use as much of the sheet as possible. So using a Master Key, a universal map key often on a separate sheet of paper, is most useful.
I have a standard master symbol key that I use for most of my maps. I also may use a few alternate symbols required in certain situations. The key that I use includes adopted symbols and has been refined over a period of several years. So, it might take a while to build or collect a master key suited to your purposes. Personally, I am more concerned when using my key with speed and clarity. I wanted to include symbols in my Legend that are easy to recognize and distinguish from each other. They also had to be easy to draw fast and easily especially when sketching. When in doubt, find already existing ones and crib and adapt them to your needs.
To Start With
I often start with the vision or concept of a single chamber. Which for one reason or another is interesting to me as well as clear in detail. It is often a central or entrance chamber that gives the players a visual taste or general atmosphere of the entire place but not always. Frankly, I grasp at whatever I can clearly visualize. This can be a central or entrance chamber, some side passage, or even the outside mouth/entrance to the place.
An alternate method is to just start laying down features then work a single chamber around those features. This to get the starting point from which to work outward. This I do when the first method is not working for me. This technique is a little more hit or miss. However, I usually come out with something if not a handful of possible chambers to begin plotting.
Going back to the visualized chamber; I will sketch this room and try to fumble around with surrounding chambers. How they relate on the map to the central chamber and how they connect. I make a real mess with a pencil on a piece of paper trying to refine the central chamber. Including as I try to find a layout and develop a few chambers that I can string together. This includes creating additional chambers to place on the paper like puzzle pieces, trying the best and most pleasing fit if not the most sadistic or unexpected configurations.
Once a map starts to form, I also try to gain another main idea that may add to the map in a few different ways. These central ideas or main features can include canyons, large pits or fissures, bodies of water, burrows or dugouts that were not a part of the original structure, historical additions or modifications, etc.
The Big Idea
This idea should fill a decent portion of the map, run through it, or help to shape the map and arrangement of chambers. This idea can be a natural or not-so-natural feature, the purpose of the structure that I am mapping or the history of the place that would shape it or its features. With this in hand, I will take a new sheet of paper, sketch the chambers that I designed previously, and use my new idea to arrange the layout.
After I have the layout sketched, I try to add as many details to each chamber (using the SYMBOL KEY) as possible but not so much as to crowd the sketch. I also write notes (sometimes with arrows) around the sketch that I need to draw the refined rough draft or those that need to be included as notes for the map even if they are not present on the map itself. This is also the time that I start writing down ideas for a title.
The title is often times, but not always, based on the central feature or main idea of the map because it is easier to conceive of a name that way. Other things to consider when running through names for your map are its history, current or former uses, what or who may or did reside there, and its reputation (if any). I also like titles that are eye-catching i.e. sound cool and maybe a bit cheesy.
Refining the Rough
Now I have my messy pencil sketch. The next step is to carefully pencil a copy of the map on a piece of graph paper. I try to include any notes or symbols on the original rough version. In addition, I take the time to refine my map, add, change, or subtract chambers or other details. In addition, I decide which notes are convertible into symbols and the need for any new ones.
I prefer working with my hands although most of you might want to use other methods, which is fine. Also, I already have all the art supplies so I should use them. My roughs are done entirely in pencil. This refined rough draft is what I use as my blueprint.
I then trace only the parts of the map I will ink. Those are scanned into Photoshop where I have all my Legend symbols ready to place. I trace the main non-keyed features and walls then clean it up in Photoshop. This is while dropping in the keyed elements and text resulting in the final draft of the map. Essentially, I use Photoshop to create the final polished version of the map. It looks cleaner and the quality is easier to reproduce across several maps if need be.
Decide on a Master Key/Legend to use
Try to come up with a single chamber as a starting point
Refine it and start thinking about other chambers around it and how they fit together with it
Add a central feature or idea to help shape the entire map
Start penciling a rough draft from your preliminary sketches
Trace off, detail, and refine a draft from the former that will be used as the map blueprint
Draw your map based on that blueprint refining your design were necessary
It is through this process that I draw maps. These include those found in the Zombie Horror book and hopefully future publications. The difficulty really is coming up with the bits and pieces then fitting them together into a coherent, useful, and hopefully aesthetically pleasing map. Start small and work your way out adding in new, bigger ideas as you refine the map. Eventually, you will end up with a complete map. Remember that it does not have to be huge or too complex to be useful. Lastly, the tools to produce should not matter as much as your own personal skill and knowledge with them.
This is a map to the Tabernacle of the Bottomless Gorge, a hidden temple carved from the living rock of a hollow mountain top. This is a free fully marked-up map (only lacking encounters, traps, treasures, etc.) for use with Dice & Glory. It uses a basic key (Note: the small triangular arrows denote edges of a domed ceiling) and numbered portions for the ease of GM’s wanting to populate them. A legend is included as this map uses a variety of symbols.
Manifold maps can be used at the discretion of Game-Masters to add a new crawl type adventure or dueling field to their game. These are self-contained maps that fit on a single page and require only the prep-work to populate them as well as descriptions to flesh out certain areas.
This map was designed around the idea of a hidden temple/tabernacle built around a large gorge. There is a chamber designed to catch rainwater in a reservoir and a simple cave system serving as a secret escape route. The map is contained enough for a brief raid or limited crawl. The terrain is also varied with roughly hewn chambers, temple chambers, caverns, and cliffsides. The scale is meant to be 5 sq.ft. per square.
The Armatelorum: Folio of Ancient & Medieval Arms & Armor released!
The Armatelorum is a 90-page resource manual filled with pre-generated weapons and suits of armor using the weapon and armor construction rules from the Dice & Glory Core Rulebook. It is a valuable resource for any Player that has a need to customize their character. Game-Masters will also find it invaluable to equip their NPCs with a variety of arms.
This fully illustrated book has 10 chapters: Medieval Weapons & Armor, Melee Weapons, Missile Weapons, War Engines & Artillery, Shields-Helmets & Pieces, Suits of Armor, Stone-Age Weaponry, Ingenious Weapons & Gimmicks, Special Training, and Improvised Weaponry. Some chapters reprinted and expanded from the Character Codex series of books as well as portions of the weapon & armor chapter from the Dice & Glory Core Rulebook.
This sourcebook focuses on every major category of ancient weaponry such as swords, pole-arms, bows, scythes, even siege engines. It includes rarer versions of weapons and armor such as zweihanders, the zanbato, weapons of the samurai & ninja, messers, recurved bows, shillelagh, and ball & chain weapons even muscle cuirasses.
The weapons and armor found within this manual were written with historical facts as well as keeping the fun factor of fantasy roleplaying in mind. Each weapon or piece/suit of armor has a table statistics entry and a short paragraph description with some variations mentioned along with applicable stats and modifications.
The appendices include notes on punch weapons, prosthetic weapons, crystal weapons, and there is an index of stylized martial arts. A full resource of melee weapons, ranged weapons, siege weapons, and shields, helmets, and armor!
Last month I posted a quick and dirty poll about the feelings role-players have about in-game death when it occurs. The results were interesting although I think I could have been more specific. Perhaps I would add in a few other options should I ever post another similar poll. I published the results here if you have not already seen them in the original post. In addition, I try to clarify my intentions with the poll.
Above all, here are the results of the poll that concluded 11/28/2019. The original blog entry and poll results are no longer available, sorry.
My Poll Answer
Subsequently, where I fall in the results would be a combination of the top three options. Although on the poll itself, I would have probably selected the top option. My reason is that I want death to mean something. Therefore, the occasion would be somber, maybe my in-game plans are dashed by the death (this has happened with my evil characters). This would allow my character to express their feelings about the situation in their own way. I find it fun to try to figure it out and then carry it out.
I like trying to construct and figure out my character’s emotional life. It’s fun to build their backgrounds, physical bodies, and spiritual qualities as well as working out their abilities and powers. After that, it is all about building their actual hearts during role-play taking every opportunity to explore them as well as using them to explore the game world.
I intended to try to find out how other Players and GM’s feel about the event of the death of Player Characters at their tables. Consequently, judging by the comments, I was perhaps not clear enough on that front. I was (and am) interested in the emotions directed at the game and its participants that character death provokes. That was what I was pursuing with this poll.
A few of the comments about the poll did point out that I had forgotten at least two points. These being Death for Drama’s Sake and In-Game Death serves to reinforce the idea of Death as a Looming Force. Death for Drama’s Sake means that a player willingly conspires with Games-Master to have their character die for dramatic or story purposes essentially, death for the sake of the narrative.
This to me seems to be more applicable to more story-oriented games. However, I do utilize NPC’s in a very similar manner. I try to get the NPC familiar with the Players even perhaps becoming a friend. When the Players become attached I try to manipulate that relationship to my ends. This can range anywhere from dramatic death hopefully towards an end not just for drama, to betrayal by an ally. In the latter case, if the character survives I try to have them become a thorn in the Players’ sides maybe even evolving the NPC into a major villain (see Dark Lords: Building Better Lords of Evil).
Death As Looming Force
I also seemed to forget to address Death as a looming force. If there is a potential for PCs to die even on a bad roll or badly misjudging a dangerous situation then death is ever-present. However, this just adds in the risk factor and the attached thrill when the PCs escape or power-through dangerous scenarios. A Player Character death just serves to bring this looming presence to the fore of everyone’s mind, fully integrating it and making it an actual part of the game world. I might have still left this option off the poll though even had I thought of it. The reason is that I am more interested in what emotions the participants are feeling generally directed towards the game precipitated by the actual death rather than about the general presence of it.
There are inevitably angles that I have still missed. However, as in-game death and even the narrowed subject of the general emotions it brings out, death is still a very broad subject with tons of nuance all over the place. Polls are meant to be focused and provide information about opinions that can be used to build generalities about the polled group. Note this poll was very small serving more of an opinion poll of those who bother to read my blog.
I See In-Game Death
I see in-game death as a natural risk of adventuring, if you are doing it right then you run the risk of dying sometimes horribly. Similarly, death is an ever-present shadow in the back of any adventurer’s mind. However, I do not think it should be an overwhelming aspect of the game. It should be attached to the major risks and challenges found in a good adventure and sudden unpredictable death should be a rare occurrence but something that can definitely happen on a bad roll. A unique aspect of the game based on the dice.
As mentioned before, I do see it as an opportunity for drama and roleplaying. It is a place where characters can express and build character. Previously, I did go into more detail in Tabletop Meditations #10: Death where I expand upon the idea of the Good Death and talk about Perma-Death and TPK’s. The blood spilled in the course of a quest lends the struggle meaning. Particularly if it is the blood of heroes, allies, and friends. Death flavors the sweetness of victory, enhances loss providing a real drive to dive back in, at least for me.
I definitely do not see
it as the tool of GM’s judgment. It is more something that is a part of the
game world. It is what is likely to happen in the course of high adventure.
When it does happen, it should have some sort of impact whether that is a
downer session or an opportunity to turn up the roleplaying aspects of the
a Few of the Comments
Lethality in Gaming came up a lot in the comments concerning certain specific gaming systems. I was not particularly interested in game system lethality in this particular poll. Although maybe an option of “I Play in High Attrition Systems, It’s Just How it Goes” would be appropriate to address this. However, I do not think that the previously mentioned addresses the feeling of someone who is playing a character under those circumstances. I would assume that since they are willingly playing a system with a high mortality rate that they already know their character has a high chance of death so that seems like it would fit under the option No Big Deal, Time to Generate Another Character which did fall into 4th place with 11.26%.
Is death a more nuanced subject than the structure of this poll seems to address, well, yes but it is a very simple poll. In short, its purpose was to cull some very specific information on a subject narrowed to produce a specific if an informal range of data. As explained before the purpose was to gauge the feelings tied to in-game PC deaths based on what I have seen discussed across the internet and in my personal gaming experience.
These reactions to death range from viewing it as an opportunity, placing blame, viewing it as a problem to be solved (the 0% popular The Character Build was Wrong for the Campaign option by the way), to indifference. I did miss an option for anger but I have found that those who angry at the table over their character dying very rarely come back to run another character ever again, however, if I run a similar or more finely tuned Death Poll, I would include one or two anger options.
The death poll was an interesting exercise and in-game death is certainly a point of interest for many other hobbyists besides me. Death would be an overarching subject especially in any adventure game where risk is a part of the fun. Death also can stand for a permanent loss such as a loss of limb or complete isolation from a hard-fought opportunity via a heroic choice but this poll focused exclusively on Character Death. After all, what fun is it playing an immortal or a character that cannot lose in a meaningful way?
Please, if you have
suggestions or comments feel free to leave them. Especially, if you have a
suggestion for a new poll definitely feel free to post that.
P.S.: I will be taking a break from the blog for the holidays and New Year. The blog and the Cabal of Eight II will be back in late January. Later that same month the Armatelorum will be released (finally).